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References

Many books, journals, newspapers, websites and other sources have been used in compiling Chronomedia. Bearing in mind that the material has been gathered over a period of more than 30 years, some sources used to check a single reference may not have been recorded at the time and have been forgotten.
        In response to a number of requests from readers for more details and/or clarification, a fresh start has been made on compiling a list of references. This should allow more transparency in determining sources of information. In future, a reference number will be added to entries, where appropriate, with a link to this page. An attempt will also be made to add such references retrospectively to existing entries.

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0001 • Albert Abramson: Electronic Motion Pictures. Berkeley/Los Angeles: University of California Press, 1955. Reprinted New York: Arno Press, 1974. [Thanks to Patrick von Sychowski for lending a copy.]

0002 • John Barnes: The Beginnings of the Cinema in England 1894-1901. 5 volumes with revisions. Exeter: University of Exeter Press, 1976-1998.

0010 • Penelope Houston: Keepers of the Frame: The film archives. London: British Film Institute, 1994.

0013 • Geoffrey Nowell-Smith (ed): The Oxford History of World Cinema. Oxford: OUP, 1996.

0014 • George Perry: The Great British Picture Show. London: Pavilion Books in association with Michael Joseph, 1974. 2nd edn, 1985.

0018 • Vestry House Museum, Walthamstow: "Flickering Screens: Film Studios and Cinemas in Waltham Forest" exhibition, December 1991.

0019 • Patricia Warren: British Film Studios, An illustrated history. London, B T Batsford, 1995.

0022 • Kine Yearbook.

0023 • Whitakers Almanack, various years.

0024 • Who's Who of Victorian Cinema website.

0033 • Rachael Low: Film Making in 1930s Britain. London: George Allen & Unwin, 1985.

0036 • Kristin Thompson: 'The Rise and Fall of Film Europe' in Andrew Higson and Richard Maltby (eds): "Film Europe" and "Film America": Cinema, commerce and cultural exchange 1920-1939. Exeter: University of Exeter Press, 1999.

0050 • Matthew Bernstein: Walter Wanger: Hollywood independent, University of Minnesota Press, 2000.

0051 • Brighton Herald, 28 January 1899.

0052 • Judy Middleton: Film-makers, Cinemas and Circuses at Hove, [self-published] October 2001.

0053 • D Robert Elleray: A Refuge from Reality: The cinemas of Brighton & Hove, Hastings: Olio Books, 1989.

0056 • Derek Bouse: Wildlife Films, University of Pennsylvania Press, 2000.

0071 • Richard Abel: The Red Rooster Scare. Making cinema American 1900-1910. Berkeley and Los Angeles: University of California Press, 1999.

0072 • Luke McKernan (ed): A Yank in Britain: The lost memoirs of Charles Urban. Hastings: The Projection Box, 1999.

0073 • Cinema Treasures website.

0075 • Kine Weekly. London: Kinematograph Publications.

0076 • Sarah Street: Transatlantic Crossings: British feature films in the USA. New York/London: Continuum International Publishing Group, 2002.

0077 • Margaret Dickinson and Sarah Street: Cinema and State: The film industry and the British government 1927-1984. London: British Film Institute, 1985.

0080 • History of British Film.
    d Rachel Low, Jeffrey Richards, Roger Manvell: Volume 4: 1918-1929. London: Routledge, revised edn 1997.

0082 • Mass Observation (Charles Madge and Tom Harrisson): Britain. Harmondsworth: Penguin Books, 1939 (Penguin Special S19).

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